NEWSLETTER
ESSAYS
“Resurrecting Hannah Wilke’s Homage to a Large Red Lipstick,” in the anthology Object—Event—Performance: Art, Materiality, and Continuity since the 1960s, ed. Hanna Hölling (New York: Bard Graduate Center, Cultural Histories of the Material World series, forthcoming 2021)
“Landscapes, Seascapes, Fire Escapes,” in Emily Mason: Chelsea Paintings, 1978-1997, edited by Elisa Wouk Almino (New York: Miles McEnery Gallery, 2020)
“No title, 1960,” in the exhibition catalogue Eva Hesse: Oberlin Drawings, edited by Barry Rosen (New York and Zürich: Hauser & Wirth Publishers, 2019)
"Art and/in/through/despite/because of Architecture," in the exhibition catalogue An American City: FRONT International: Cleveland Triennial for Contemporary Art, Volume I, edited by Michelle Grabner (Cleveland: FRONT/Cleveland Museum of Art, 2018)
“This Sum of Catastrophes: Excavating the History of Joseph Beuys’s 7000 Oaks,” in Art and War, German Visual Culture Series vol. 3, eds. Thomas O. Haakenson, Deborah Ascher Barnstone, and Barbara McCloskey (Bern: Peter Lang, 2017)
“The Medium and the Message: Art and Politics in the Work of Joseph Beuys,” The Sixties: A Journal of History, Politics and Culture, Vol. 8, No. 2 (Summer 2015)
“‘Brand New’ Again: Brenna Youngblood’s Assemblages,” in Fore (New York: The Studio Museum in Harlem, 2012)
Alonzo Davis, David Hammons, John Riddle, Ruth Waddy, Charles White, Tyrus Wong, and Self Help Graphics (Sister Karen Boccalero), in Now Dig This! Art and Black Los Angeles 1960-1980 (New York: Prestel in conjunction with the Hammer Museum, 2010)
“Edible Landscapes: Song Dong’s Food Installations,” co-authored with Charles Kang, Gastronomica: The Journal of Food and Culture, Vol. 10, No. 3 (August 2010)
BOOK AND EXHIBITION REVIEWS
“An Art Historian’s Guide to Art Cookbooks,” Stained Page News, May 2021
“Laura Owens Teams Up with Cleveland Teens for a Playful Show on Time Travel,” Hyperallergic, May 2021
“Poking Fun at Art History, Amy Sillman Makes a Case for Awkwardness,” Hyperallergic, December 2020
“Buckminster Fuller’s Delightfully Idiosyncratic Recipes,” Hyperallergic, September 2020
“Contemplating Art and Optimism at a Former Meat-processing Plant,” Hyperallergic, July 2020
Lorenza Böttner, Artforum, October 2019
Meleko Mokgosi, Artforum, Summer 2018
Hanna B. Hölling, Paik's Virtual Archive: Time, Change, and Materiality in Media Art (Oakland: University of California Press, 2017), caa.reviews, June 2018
Christoph Schlingensief, Artforum, March 2014
Ilse D’Hollander, Artforum, February 2014
Critics' Picks on artforum.com: Belkis Ayón (2016); “The Ease of Fiction” (2016); “Try Again. Fail Again. Fail Better” (2015); Karl Otto Götz (2014); Tatiana Trouvé (2014); Kay Walkowiak (2014); Reinhard Mucha (2014); Jim Lambie (2014); Andreas Fischer (2013); Pieter Hugo (2013); Gottfried Helnwein (2013); “Brasiliana: Installations from 1960 to Today” (2013); Katie Holten (2013); Kamrooz Aram (2010); Jack Pierson (2010)
SHORT FORM
“Jordan Fine’s ‘90s-Inspired Glass Vessels, for Drinking and Social Good,” ARTnews, May 2021
“How I Made This: Carmen Argote Prints from Pizza and Health Bars,” ARTnews, February 2021
“Artists ‘Steal’ a Joseph Beuys as a Statement About Repatriation,” Hyperallergic, November 2020
"Joseph Beuys’s Only Public Artwork in New York Temporarily Unearthed," Hyperallergic, July 2018
“Artist’s Chemical Experiment with Rotting Fish Challenges the Museum,” Hyperallergic, June 2018
“Appropriating Art Nouveau” [Part 1; Part 2], LACMA’s Unframed, April 2017
“Pushing the Limits: Art and Censorship," LACMA’s Unframed, July 2016
“Cooking with Artists,” The Getty’s The Iris, May 2016
BOOKS
A New Generation of Creators: Selections from The Robert Gore Rifkind Center for German Expressionist Studies, with Timothy O. Benson (Los Angeles: Los Angeles County Museum of Art, 2016).